interviews
A Rose In Harlem
by frank
November 18, 2018
This interview with the students of The Young Women's Leadership School of East Harlem was conducted and condensed by frank news.
From left to right: LaShay Fernandez, Morgan Carter, Javeria Amir, and Fargana Alden.
Morgan: Right now, we're learning about how to take an issue that we feel passionate about and see how we can impact our local government - legislative, the mayors, governors. To see how we can change the issue, or see if we can get more engagement so people will pay attention. The issue we all picked was sexual assault in schools, from colleges, middle schools, high schools...
Why did you choose that?
Morgan: At first, it was separated for a week. Some people wanted to do education and the other side wanted to do sexual assault. We were debating for a week or two and none of us wanted to do it together, and then eventually we just had to decide - why don't we just put them together? Now we're doing sexual assault in schools. And how education and money affects why we don't have sex ed.
That's amazing.
Javeria: There's this thing that there's enough about raising awareness for it. It's time for us to take action and the way we can take action is contacting our local office members rather than just going for the governor or the president. We're saying oh my god the President's doing this and what are we doing? We know we can't directly affect what the President is doing himself, but we can work at a local level which is what we're going to do now.
Who are your local officials?
Javeria: Our mayor and our city council members. We would start contacting them rather than the governor.
LaShay: We did a whole thing where we sat down with people in our neighborhood or district to look up all our local members and see what they're doing and see if they're good. We looked them up and really tried to see if our representatives are everyman or superman. To see how much of our representation is actually what we want, or actually accurately depicts the people that are there - us.
What's the conversation around sexual assault? What are the things you want to see done and what are the sort of modes of getting those things done?
Morgan: Today we learned about root causes and systemic causes. We're starting in elementary schools and high schools. People have sex ed, but we realized that a lot of the problem is that people don't actually know what counts as sexual assault. No one has consent classes. You can't just start at high school, because by that time a lot of people are already having sex. We said that maybe we could start with 7th and 8th graders and give them sexual education - maybe not assault, but basic knowledge so that later on they can know - this is what we do, this is how this works.
LaShay: It's very hard because since people are so young and it's such a fragile thing even though yeah, you should learn about it, we're also talking about different ways to tackle the situation. Instead of just saying "consent" and just straight talking about sex with 12 year olds, it's using different methods. There's this video that a college made about tea and offering people tea and it's really weird, but it really pushes the message of consent and not forcing people to do what they don't want to do.
It's also hard to figure out how we want to approach certain grades or approach people in general in ways that don't make their parents uncomfortable if their parents have an issue with talking about sexual assault and consent in classes.
Fargana: To add on, some parents don't have a lot of knowledge on sexual assault or how to to keep safe, or they feel uncomfortable talking about it. For us to teach kids at a young age about safe sex and just making sure everyone's using protection, what no means if someone is saying no to sexual intercourse. It's very important for us, and also since we are young teens, it'll be easier to talk to students because we're in the same generation in a way. We would just be considered like their older sister, we'll have that bond if they ever need something, we can help them out.
Are you learning about how to communicate with your representatives directly? How can you make sure your voice is heard outside of the classroom?
Javeria: We haven't gotten to that point yet. We're trying to figure out what part of the issues are we focusing on, what are the factors that are leading to such issues, and once we have those down, then we can go and be like this is what's wrong with our system, and this is what we have to fix. Once we get that correctly done, then we'll be approaching them, but we haven't learned how to do that yet.
Morgan: It's hard because sex ed is like - a lot of parents don't want their kids learning about that and it's not just girls, it's boys that have to learn about it, too. It's kind of hard knowing exactly what we want them to do because it's often a societal thing. It's hard for them to say, oh we want a rule against this. You have to make something specific.
Do you guys feel empowered by the class?
LaShay: Yes, I was just talking to a friend about it today because I think a lot of times we sit in our class, and especially going to TWYLS, we talk about this stuff, like since freshman year we've been talking about this stuff, and it's such a big issue and we always talk about it, but we never talk about what we're going to do about it. And I think sometimes when you're just in your little city, you think this is huge and this is happening in the government and I can't do anything about it.
I think one thing that I've definitely realized in the class is you can do something.
Even if you're starting small, it's a ripple effect. I think that's what the class has really done for me. I can do stuff, even if it's really small, it's important.
Javeria: People talk a lot and they don't do anything about it. We have a social justice club and I feel like that has empowered us in general and then having Generation Citizen - being able to take action now, instead of just talking about it. What should we do? I feel like it's a wonderful opportunity for us to have.
Fargana: In addition, compared to other schools, TYWLS really prepares you. We're really thankful to be offered Generation Citizen because in other schools, again, they would talk about it - or not even, the topic wouldn't even come up in their conversations - it would just be ignored rather than at least being talked about it and seeing different ways how we can help. For us to talk about it and see how we can fight as young teens, it really impacts us.
Can you tell us more about the social justice club?
Javeria: The social justice club is led by Jessica Taylor, our 10th grade global history teacher. In that club, anyone - I think it's mostly high schoolers - can come in the beginning of the year, we focus on an issue and advocate for the issue we think is affecting our community right now. We're in 10th grade and we raised some funds for the Syrian refugees, that was around $500 by doing food sales. It's just the little things we're doing. We're seeing what current issues are affecting the people around us. It's giving back and even though our school doesn't have that much, we're trying to take initiative.
Fargana: We donated a bunch of toiletries to a women's shelter as well. Every year we would do something - I think of it as a main project and then a mini project. So the mini things are some local things - like donate toiletries, donate money, and then our main project is what all of us are mainly focused on and how we can help.
That's amazing. Have you guys learned about civics anywhere other than Generation Citizen?
Morgan: I think some of us learn it at home, but in school, other than government or AP US History, not a lot. I think as a whole, they always push us to change something or if you feel something, talk about it, try to change it so not directly, but I think that we all get encouraged throughout our years of being here to try to change something.
We always give stuff even if we don't have it, we're always just trying - we're always taught say something, do something, don't just watch.
Javeria: Our government class is coming senior year, it's important, but other than that we're not used to having that - what policies are, how they're made. It's senior year and Generation Citizen. For me, even if we're in AP Government, you're getting that in senior year which is a little late, but.
We're teaching our kids too late and Generation Citizen is going to help us. It'll end that battle a little earlier.
How early do you think civics should start?
Javeria: I feel like middle school. They're going into that 9th grade year where they're like we're going to be like high school, and they're already empowered so you might as well give them another boost.
Fargana: Yeah, it would really impact a person if you're starting in middle school. It would be perfect to teach them about the government issues and who's your local representative, what does it mean? Then when you're in high school, as the years go by, you'll have more knowledge. Each grade, we can all come together and create a bond within us and be able to go out and do something. For seniors, since we're capable of doing it, we can continue it in college and teach others that really didn't have this opportunity when we were in high school.
Are any of you about to be 18?
Yes, yes.
Are you planning on voting?
Javeria: Yes! I was going to say that. Us turning 18 - I feel like this is encouraging me at least to vote. That's one of the ways my voice can be heard, so why not? I feel like that's part of the issue. We need to tell them - yeah, voting may seem like your voice is not heard at all, but we're the people and you're one person so we need all the people to make that voice be heard, so vote, please.
Are you excited to vote?
Javeria: Yes, I'm really excited. I've been waiting. I've been waiting to turn 18 so I can vote.
LaShay: I think it's so funny that she's acting like that because my parents don't vote and it's really weird. I'm always like why don't you vote? "Well it's not gonna matter." I'm really glad I took this class because you're influenced by your political socialization - you're influenced by the people that you're around, and you inherit these ideas and you're kind of conditioned to believe this one thing and I think before I came to TYWLS, I kind of did have that mindset of well, I can't make a change, I'm one person. I'm so excited to vote now and it's so weird because before I didn't think it would matter.
Fargana: I don't turn 18 until another year, my parents are immigrants - they're both US citizens - so it's for them, the only main election they worry about is presidential because that's the big one, but I feel like now that I have more knowledge on this, I'm literally waking my mom up early so she can come with me to go vote. Well, for her to vote, I'm just gonna be there making sure she's there.
Morgan: I'm the exact opposite. It's weird because my mom has always been - my mom is the kind of person, even if she doesn't like anybody on the ballot, she'll still vote. She's always told me to pay attention to what's going on and vote. And I was always just like, I don't really care, but I think Generation Citizen has made me really want to do something now because every single thing counts. I kind of wish, like a lot of things, that we would've learned it in middle school.
I think the problem is we underestimate young people. They think they're not old enough to understand it. When a lot of times, the middle schoolers know more than you think they do. Like a lot more. And I think that they need to start encouraging them and teaching them because I feel like 11th graders and 12th graders, we're about to leave, there's no point. I feel like if I would've heard it in 8th grade, maybe I would want to vote more. I can change a lot more things than I thought I could have.
Never underestimate the youth.
interviews
BIGHT: COASTAL URBANISM
by Susannah Drake & Rafi Segal
May 26, 2018
This interview with Susannah Drake & Rafi Segal was conducted and condensed by frank news. Bight’s project team is Rafi Segal & DLANDstudio (Susannah Drake), Sarah Williams, Greg Lindsay, Brent Ryan, Benjamin Albrecht.
Susannah: My name is Susannah Drake, I'm an architect and landscape architect, and I'm the principal of DLANDstudio. Also, I've taught at various schools including the Cooper Union, which is where Rafi and I met, teaching an Urban Design Studio.
Rafi: I’m Rafi. I’m an architect. I run a practice under my name and I teach at MIT, primarily around the questions of the city, or the future city. I guess you can say I’m an urbanist. The courses bring architects and planners together, which hasn’t been the case in this country since the 1960’s.
How has it been working together?
Rafi: We know where to come together and where to split. This is how we cover ground: we converge and then split.
Susannah: It's respectful but not conciliatory.
Rafi: My work concentrates on urban architecture: the reading, or understanding of the city. How context informs project. Susannah has a broader scope of of dealing with landscape and the environment.
Susannah: The fabric of the city, but also the ecological systems that impact it. Infrastructure acknowledging geology, hydrology, or ecology - to integrate architectural and engineered systems with natural systems.
What is BIGHT?
Rafi: Have you ever heard the term “BIGHT” before?
No.
Rafi: No one has!
Susannah: It could be quite provocative! We should step back and talk about the Regional Plan Association (RPA) and the origins of all of this. The BIGHT project is a component of the Fourth Regional Plan for the future of the metropolitan region: Connecticut, New York, and New Jersey. The first plan was about concentric circles of development around Manhattan.
Rafi: This is in 1929.
Susannah: The fourth plan is a dramatic shift: from circles to corridors.
Rafi: The Bight is the waterfronts of Long Island, New York and New Jersey. The barrier islands, harbors, constructed and naturalized landscapes. It comes with a set of issues: climate change, sea level rise, flooding...
How long is it?
Rafi: 600 Miles or so. It’s very big. Let's backtrack for a second to give you a bigger picture. I mean, why do we need such an institution? Why does the RPA exist? The premise back then was, ok, NYC is growing and designing itself, but who's looking at the region? So RPA initially came in to fill the gap with research in urban planning.
Susannah: It’s a national competition, funded by the Rockefeller Foundation.
Rafi: The prompt was, how do you approach urban design of the future? What are the main issues? Who do you engage? What’s the narrative?
Bight City, Jamaica Bay 2067, view across lagoon: ‘wet city’ housing along the lagoon’s edges protects the ‘dry city’ behind it.
Susannah: They wanted to look at different scales of of issues happening in the region. So we looked at a little barrier island, a small community. The we looked at a second area, Jamaica Bay, which is very complex: multi-jurisdictional, also a national park, you know, just about as complex as you can get. And the third area is a post-war suburban community, on a waterfront, but not the same as affluent waterfront areas in Long Island.
THE SITES TODAY
Existing elevated rail, Rockaways, 2017 Sea Bright, New Jersey, 2017: a barrier island flooded from both ocean- and bay sides. The sea wall and elevated beach clubs will remain as the island disappears under water.
PROJECTED VULNERABILITY AND ADAPTATION PLAN
New Mastic, 2050: projected flooding (left), proposed plan for future development (right), densifying high, dry ground while permitting some homes to remain in wet areas as they evolve into a new elevated neighborhood built along docks.
What are the primary climate related issues happening to all of these areas?
Susannah: Sea level rise. They're all in vulnerable areas. Some of them are built on barrier islands, where there really should never have been any development.
It's a dynamic landscape that changes. That is influenced by winds, and currents, and the cycles in the environment, the shifting tides changing the water table. No one should ever build a house there that's permanent, but we have, for recreational purposes or for pleasure. Initially there was a more realistic relationship to the environment in these places. A summerhouse might have been a cottage. It wouldn't be used in the winter. A much lighter touch on the environment. But over time we've changed our relationship to the environment. As people we feel like we're much more invincible. We built hardened structures. But the nature of climate has gotten stronger as our architecture has gotten stronger. And nature's winning now.
Rafi: So we identify a pattern here: that we're building more and more along the coastline, in an area increasingly prone to risk.
How do we work with that and begin a process that requires change? Change is difficult for people to grasp. This was, in a sense, the challenge: not the planning itself, coming up with a smart plan is one thing, but finding a way to communicate and frame an issue is another.
Susannah: We tried to valorize or make positive the idea of retreat. The whole notion of retreat is seen as a pejorative term. It's seen as being fearful, or weak. But look at military strategy. There are times when you need to retreat so you can go back and fight again. You can look at it as poker, sometimes you fold to save resources. So you can keep playing and win.
We came up with a term for a project, a different RPA: receive, protect, adapt. To change the idea of retreat we say received. It’s a proactive development approach to attract people away from the water's edge.
Rafi: To identify areas that can grow, and then use them as anchors.
Sending and receiving blocks: a strategy of switching people and densities over time from high risk areas to dry ground.
Jamaica Bay: projected flooding proposed plan for future development. Flooded ground becomes parks and open water, while dry areas such as JFK are protected and intensified. The result: a new square-toothed “Bight City” comprised of waterside neighborhoods.
There are a lot of maps in the project...
Susannah:
One of the critical discoveries we made along the way happened through mapping. And a recognition of the things we draw and how we draw them.
For instance, Sarah Williams did a tremendous amount of GIS [geographic information system]. She overlaid these maps, and we discovered these development corridors on higher ground. Places with existing right of ways that we could build upon. That didn't get flooded. They were an existing strength... potentially expandable and valuable.
Densifying high ground for New Mastic.
We also mapped infrastructure systems. They were completely disconnected, highlighting the vulnerability of waterfront areas to periodic storm surge, or even longer-term issues like sea level rise. To show a vulnerability but also this opportunity we conceived receive, protect, adapt.
Rafi: There were areas that required protection in terms of the economy or jobs. It’s a very rational approach, also with many strategies.
Of course the communities are considered, but are they directly involved?
Rafi: On various scales. You wouldn’t bring in a community to do large-scale mapping. But you come to that point, and the plan strategies for that.
Susannah: The RPA reached out and engaged with the communities in advance. We had information but limited contact...we did end up giving presentations to some of the mayors.
Who can afford to leave a place like the Rockaways? Some people can’t afford it, and other people might not want to. Their homes are fairly valuable, but they might lose money if they leave. We mapped vulnerability social vulnerability to think about the true definition of afford. To locate housing projects, older people, and those who can’t escape another big storm.
Rafi: And there's only so much one can do on the community scale. Resolution is really at the scale of the city, or the region. When you have risk coming from the ocean, there must be lessons to learn from one town to another.
Who is to bringing all these voices, considerations, and issues together to project a path forward?
You asked what planners and architects do. The urban project is a very difficult one. What will be can really change the city without changing ourselves. We resist change. We are attached to our city our home in an irrational way. Even when risk is evident. It's right in front of our doorstep. You walk out and there’s water instead of land. Even at that point.
So a change in the narrative is key. This country developed from strong narratives. We work on the story now as we go to the future. Whether you believe in climate change or not, the ways we communicate, energy, transportation -- are all changing, and all impact how cities take shape.
Susannah: RPA prompted that Kennedy airport would be strengthened. Elevated and reinforced. An economic hub for the region. And our work should support that.
Rafi: It's a gateway to the country, it’s huge.
View of proposed Gateway Station from the ocean side.
Susannah: The nature and economics of being in the urban center or on the water’s edge have changed. Historically this region depended on trade by water, but the dynamics of trade shifted, and shipping and exchange moved from Lower Manhattan to the periphery.
We transform that line of the water’s edge-- which used to support a physical exchange of goods-- into a zone. Ecological exchange can’t operate along lines, they require these zones.
Gateway Station, Jamaica Bay 2050: a series of plazas and beaches form an intermodal station and recreation center built along the existing elevated rail of the Rockaways.
Rafi: History puts things in perspective. The city is in a constant crisis of change. Are we going to be smarter today then we were in the past? I don’t know.
Why does the average person who doesn’t deal with this every day need to know?
Rafi: That's a great question. You can say that people don't need to know, and government will decide. But that’s not going to happen. Knowing is our strongest ally in a way.
Susannah: It’s important to understand vulnerability but also a way out. To find opportunity in the complexity of retreat.
Is it the government's job to incentivize retreat?
Susannah: Not necessarily with buyouts. We designed an economic development zone. It's upland from of the waterfront zone. You rezone and start development there now, so that in the future city planning and government create incentive just through zoning and shifting development patterns.
“Elevation-Based Zoning” proposes different zoning- and building regulations based on grade elevation to address the risks of storm surges and flooding.
Rafi: In the end it’s our money. You say government, but it’s our money being spent to address issues of flooding.
Susannah: My feeling is that FEMA should be eliminated. FEMA was not intended to be a flood insurance program initially.
Rafi: It will continue like this until they go bankrupt. More hurricanes, more flooding.
It is what it is. But we shouldn’t accept all of these rules. How it always was, isn’t how it has to be.
Rafi: The systems are in place why change.
Susannah: Some of the systems shaped our country in positive ways, some not.
Look at the waterfront in 1982, when Reagan got the Coastal Waters Act signed. If you developed a greenfield on the waterfront, you would not be insured. But if you redevelop land that already has property on it, you got insured. The tax areas were already there.
The Clean Water Act, the Clean Air Act, both signed by Nixon, have been fundamental to the work I do on water quality and climate resilience. Go back further to 1965, when Lyndon B Johnson signed the Highway Beautification Act. It was meant to create more beautiful plantings, but also created better ecologies along those highways.
So this evolution in thinking and perception has actually been positive. But sometimes not particularly altruistic.
The Land Ordinance Grid was a big development scheme to run the country. Gridding completely transformed the American landscape in perpetuity.
To get them to go live in suburban developments. Look at the amount of money made in developing suburbs. They are political decisions that fueled engineering and construction companies.
It’s a big real estate scheme. You want the population to start producing children again, so you get women out of the way. And by the way you can make a shitload of money at the same time. And then...the antidepressant industry.
Bight is currently featured at the Venice Architecture Biennale in the exhibit “Time, Space, Existence,” at the Palazzo Mora.